The term Fan Week is increasingly popular in sports. Aimed at energizing tennis and making it attractive in everyone’s eyes, this event—now indispensable at certain major tournaments—is enjoying growing success.
Long regarded as a simple appetizer before the main show, qualifying week has now established itself as an event in its own right. Between raw emotions, spectacular innovations, and record attendance, Opening Week is shaking up the codes of world tennis.
In 1973, Billie Jean King did far more than beat Bobby Riggs: she toppled a symbol. Five decades later, the “Battle of the Sexes” is reborn between Aryna Sabalenka and Nick Kyrgios, but this time, the battle seems to have lost its soul.
Social networks have opened an unprecedented era for tennis: one in which notoriety is built as much on the court as on Instagram. But how far can this quest for visibility go without shaking the players’ balance?
Mertens, Raducanu, Kessler... and only one Frenchwoman in the main draw: the WTA 250 Hobart 2026 promises to be as unpredictable as it is spectacular. Between revenge, confirmation, and ambition, the first week of the season already promises sparks.
The Limoges crowd believed it: two Frenchwomen in the semifinals was possible. But only Elsa Jacquemot prevailed on Friday, after a stunning match. Friedsam, Bucsa, and Kalinina complete an unpredictable final four.
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